I create audiovisual work as a way of exploring how sound alone can shape atmosphere, emotion, and imagination. I’m interested in building immersive worlds from minimal or restricted source material, using sound as the primary driver of narrative and mood rather than relying heavily on visuals. Through this process, I aim to encourage listeners to focus more deeply on the act of listening itself, while demonstrating an ability to develop distinctive ideas and environments from limited material and unconventional starting points.
The Big Spin is an audioscape that reimagines the television set as something far more powerful than a source of entertainment. Inspired by the visual and sonic language of 1970s broadcasting, the piece explores themes of communication, influence, and mass persuasion, blurring the line between audience and message. Familiar sounds and nostalgic comforts gradually give way to a growing sense of unease, inviting listeners into a world where every broadcast carries the possibility of something hidden beneath the surface.
Nighthawks takes inspiration from the inconic edward hopper painting of the same name.
Exploring the mood and ambiguity that have made the work so enduring, rather than telling a complete story the piece focuses on suggestion—using sound to evoke a fleeting moment filled with mystery, anticipation, and unanswered questions.
EchoMemory is a research-led audio project exploring the psychological effects of natural echoic sound and its ability to evoke autobiographical memory. Through a simulated listening environment, the work investigates how spatial reflections and familiar acoustic cues can trigger subtle associations with childhood and early life experiences, highlighting the relationship between sound, perception, and memory.